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Wolf Creek

 

We are entering, or re-entering actually, an era were horror movie aren't just about quick boos and fake outs.  This era brings us gritty, atmospheric, films that work to disturb and unsettle us rather than give us cheap scares.  I say re-enter because this era of film existed before, back in the 70's when horror films were at their best.  Films like The Texas Chainsaw Massacre, Last House on the Left, and even I Spit on Your Grave ring more disturbing than the films we've been treated to as horror for the past ten years.  Rob Zombie and Quentin Tarantino deserve a lot of credit for bringing back the grit and edge to horror.  Due to Tarantino's unending support of the genre and Zombie's own film The Devil's Rejects we are finally getting some edgier stuff.

 

 

Wolf Creek is another of these grittier films.  The first thing it does away with is making us dislike certain characters.  A classic cliché of horror over the past twenty years is to make the audience hate certain characters so that their eventual deaths in the film will be more palpable and well, enjoyable.  There might be some good gore but this isn't really scary or disturbing.  What's more effective is when the audience likes all the characters.  When these likable types are killed the overall feeling is much more effective.  Also, Wolf Creek isn't a slasher film.  It only features three main characters plus the killer.  Obviously with so few characters the killer can't just mow them down.  Wolf Creek is more about the torture of the characters and the atmosphere of the chase.  In fact we spend the first hour of the film traveling across the Australian wilderness with these characters, getting to know them, and beginning to care for them.

 

Other reviews have commented on how graphic the film is, when in reality it isn't.  Similar reviews were written about how graphic the original Texas Chainsaw Massacre was when it also wasn't very graphic.  These reactions come from atmosphere and weight given to each kill because no one looks pretty with perfect hair and makeup and we like the character being killed.  One kill in particular, probably the most disturbing in the film, features no gore at all.  A film like this is successful when it makes the viewer believe they are seeing more than was ever actually on screen and Wolf Creek seems to have done just that for many inexperienced viewers of films of this type.

 

 

The film isn't scary, it's disturbing in its realism and grittiness.  It appeals in the same way as the earlier mentioned 70's classics did.  The big difference is that I couldn't help but feel this film was on the verge of going even further than it does.  This R rated version feels like it's been trimmed for that rating and if it has I hope we get a director's cut.  As it stands though this film is still stronger than most of the so called horror films dropped in our laps by Hollywood.  I used to really bitch about the growing number of PG-13 horror films hitting the market but now I thank them because films like The Devil's Rejects and Wolf Creek are the reaction to those films.  Wes Craven was instrumental in the great horror films of the 70's with his exploitation classic Last House on the Left.  In a way he has been instrumental in bringing the genre back to life.  He's been dropping PG-13 crap on us like Scream and Cursed, causing the reactionary filmmaking of Rob Zombie and Greg McLean.  So again we owe a big thanks to Mr. Craven!

 

The last half of the film is nihilistic and unrelenting and much more humorless than even The Devil's Rejects.  Don't look for a comedic break in the tension because their won't be one.  If you liked The Devil's Rejects or the other classic films I mentioned than you're sure to have a good time with this film.  If you really love the 20 something hard body PG-13 horror that Hollywood cranks out then stay away because Wolf Creek will be way to intense for you.

 

8/10

 

Stephen Lackey

 


Wolf Creek

 

Directed By Greg McLean

 

Starring John Jarratt, Kesti Morassi, Cassandra Magrath, Andy McPhee, Nathan Phillips

 

 

Review

Overall 8/10