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The Village
M. Night Shyamalan, master of cinematic
trickery and sleight of hand plot twists, returns to the
big screen with his much anticipated film The
Village. Writing a review for a Shyamalan film is a
tedious exercise. I want to give the reader enough
information about the film to intrigue the reader
without overstepping the boundaries and revealing
anything that would ruin the twist that audiences have
come to expect from Mr. Shyamalan. With that being said,
I will commence.
The film opens on a 19th
century village. The village is surrounded by enormous
forests. The audience learns quickly that there are
creatures in the forests, referred to by the residents
as “Those we don’t speak of”. The villagers and the
creatures have come to an understanding, if you will: if
the villagers do not enter the forests, the creatures
will not bother them. The color red is thought to
provoke them, so the wearing of red is forbidden and any
red flowers or berries that sprout from the ground is
quickly buried. The color yellow is thought to relay to
the creatures that the villagers intend them no harm so
the color yellow is a common color in clothing and other
items throughout the village.

The audience is introduced to Lucius,
played by Joaquin Phoenix. He would like to pass through
the forest to retrieve medicine for an ailing resident.
The nearby but never seen towns are thought to have
potions that will cure illnesses but residents fear they
will never make it through the forest without being
attacked by the creatures and killed and therefore
stirring the wrath of the creatures that will then kill
the entire village. Lucius does hold the record for
standing with his back toward the forest for the
longest, an exercise that shows bravery or exposes
cowardice for the young boys and men that participate in
this game.
Enter Ivy, played by Bryce Dallas Howard.
Ivy is a blind girl that is brave and bold beyond her
disability. She has befriended Noah, played by Adrien
Brody. Noah is mentally challenged member of the
community and Ivy is patient with him, when others are
not. Noah feels closer to Ivy than any other member of
the community.
Through many plot twists and turns, Ivy
and Lucius develop a close relationship. This blossoming
relationship does not sit well with Noah. The
relationship between Ivy, Lucius and Noah and the
impending quest for medication provides just the
beginning of the twists and turns that the audience will
experience in telling the story of
The Village.
At this point, I feel that if I reveal
anything more about The Village it will ruin the
experience of seeing this film.

In a recent interview with M. Night
Shyamalan (attended by Cingeek at http://www.cinegeek.com/features/the_village.htm),
he said that The Village is “a love story,
although a sick and twisted one”. He also said that the
film was a fragile “house of cards”. I would agree with
those quotes wholeheartedly after viewing the film. It
takes a master filmmaker to be able to pull off the
cinematic trickery M. Night Shyamalan has shown to his
film audiences. In this category, he towers over his
filmmaking peers.
Joaquin Phoenix and William Hurt turn in
powerful performances. I found the performance by Adrien
Brody to be slightly overwrought but for the most part
as strong as the other leads. Sigourney Weaver is good
in her role although she is not given much to do in this
film. Bryce Dallas Howard, daughter of Ron Howard,
reveals herself to be a skilled actor with a luminous
presence onscreen. Her background is primarily stage
work but is a great screen actor with a promising
future.
The score for The Village is
string heavy and just the right amount melancholy and
sparse to accompany the story respectfully. The
cinematography by Roger Deakins is absolutely
breathtaking. It is as if each frame of this movie was
delicately “painted” with light, much like an artist
with a brush working on a portrait.
To enjoy The Village, the viewer
must not continually try to pry open the box of secrets
from the first frame until the last. The viewer must let
M. Night take your hand and guide you gently through the
story. This was my mindset when I entered the theater
and it helped immensely in the enjoyment the film. On
the other hand, quite a few of my friends are of the
sort that do not “suspend disbelief” when watching films
and are always trying to impress themselves and others
with how quickly than can figure out the ending of a
film. If you walk into a theater with this mindset, you
will not enjoy this film or hardly any other film in my
opinion. I have argued this point with my friends to no
avail. I am just glad their “cinematic disease” cannot
be caught by merely finding yourself sitting next to
them in a darkened theater.
Although The Village will not take
the place of Unbreakable as my favorite M. Night
Shyamalan film, I enjoyed the film greatly. M. Night
Shyamalan is a filmmaker that is willing to take
chances, a rare quality in many filmmakers and major
movie studios today. If only for that, The Village
should be celebrated by movie audiences and fellow
filmmakers alike.
8/10
-Suzie Lackey |