

Directed By: Rob
Zombie
Starring:
Malcolm McDowell, Daeg Faerch, Sheri Moon Zombie, Scout
Taylor-Compton
Nothing can
seemingly kill Michael Meyers, but this ain’t such a bad thing,
especially for fans of horror. Rob Zombie’s resurrection of this
John Carpenter tale is not simply a rehash of things already done.
Zombie’s Halloween is a
revitalization of this film’s original namesake. But is it worth
seeing? I would say yes to anyone who loves fright, gore, and a good
slasher movie. Is it as good as the first? That’s a question that’s
most likely in the eyes of the beholder. To compare with the
original Halloween might
make this film harder to like.
The Movie
This time we get
the back story on evil incarnated: Michael Meyers (Daeg Faerch).
He’s a young, stringy haired boy who has it hard at home and at
school. His deadbeat stepfather Ronnie (William Forsythe) verbally
abuses him and mean ass kids at school pick on Michael about his
mom, Deborah Meyers (Sheri Moon Zombie), being a stripper. However,
lest we conclude that Michael’s killing bent comes from torture,
think again. Zombie introduces the psychotic dimension to Michael’s
pathology. Exhibiting classic signs of budding serial killers,
Michael kills his pets. Later on, as you can imagine, Michael moves
on to bigger and more human prey.
After the brutal
killing of his family, except for two members, Michael goes to live
at the sanitarium, where Dr. Loomis (Malcolm McDowell) tries to
rehab Michel. However, Michael descends into silent madness and
lives behind the masks he creates in his cell. Fifteen years later,
this back story meets up with the classic story we know so well from
the original movie. Michael breaks out of the sanitarium and heads
back to his hometown where he fiendishly kills anyone in his path
and then finds his sister Laurie Strode (Scout Taylor-Compton).
I liked the back
story of Michael Meyers. Rob Zombie’s portrayal of young Michael
seems to speak to a contemporary fascination our society has with
serial killers and with why killers kill. The writing feels and
sounds like a Rob Zombie film with its usual barrage of curses, with
its rough characters showing varying shades of meanness, and with
its classic gore (word!). However, Ronnie, portrayed as an ornery,
provoking, miserable cuss, feels over the top and sometimes speaks
too much. But it makes us hate him probably as much as Michael
would.
Sheri Moon
Zombie does an amazing job of playing Deborah Meyers. She knows how
to play a rough character who has motherly softness, which may
surprise us when we think of her as Baby from
House of 1000 Corpses and
The Devil’s Rejects.
I also thought Daeg Faerch is an amazing young Michael.
Faerch played someone with a dissociative disorder quite well.
Malcolm McDowell’s voice and demeanor bring an added robustness to
Dr. Loomis, although I do love Donald Pleasance’s portrayal best.
While I liked
the character development of the first half of this film, I thought
the killing was not frightening because the killings lacked suspense
and the sense of impending violence. You aren’t on the edge of your
seat. However, the gore quality compensates nicely for I even had to
turn my head a couple of times as brains got bashed in.
When the story
picks up with Michael’s escape, we move back into the classic story
line, but with Zombie’s version of it. It is basically the same
story, but with some changes along the way. This part of the film
made me jump a few times because Zombie seems to pick up some of the
original’s scare tactics. You know Michael’s coming, but where will
he come from, we wonder. Then bla-blam, he’s done got ya!
Also, Zombie uses a classic
scene of dramatic irony from the first movie when Lynda (Kristina
Klebe) sees her boyfriend has dressed under a sheet donned with
glasses to scare her. Of course, it is Michael Meyers under the
sheet, who has killed her boyfriend and is now there to kill her
too.
I think this
film breaks down a little in pacing because it tries to combine two
story lines (a prequel and first episode) together in one epic
horror film. Zombie certainly had a definite challenge in doing
this. Unfortunately, it’s like trying to patch scrap metal together
with tape instead of good welding. This doesn’t kill this movie for
me, but it doesn’t help it either. However, classic Zombie style,
such as killer musical selection, gore, and edgy dialog, works
through this film adding a flare and style that many love.
Overall I think
Zombie’s Halloween is ok.
Where it lacks the original’s suspense and terrorizing quality, it
makes up for in developing a fuller picture of Michael Meyers.
Anyone who calls him/herself a horror fan should see this. Anything
having Michael Meyers in it should call you to the theatre at least
so you can keep this classic horror tale alive for another
generation.
6.5/10
-Chuck Knight
In Books: Tales From
The Farm:
The Nashville Film Festival The Real Beverly Hillbillies
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