

Directed By:
Shinichi Watanabe
Imagine what
you’d get if Queer Eye for the Straight Guy begrudgingly met
Japanese anime. That’s The
Wallflower. The tag line on the front of the
The Series
Four beautiful
guys live in a mansion owned by a gorgeous rich woman known simply
as the Aunt. Beauty has
gotten these boys through life pretty easily and cost free until the
Aunt tells them that they must pay rent unless they can make her
niece Sunako into a lady “of the respectable kind.” Seems like an
easy enough feat, but this girl is much worse than the girl in
She’s All That. Sure,
this isn’t a logical comparison (anime to teen movie), but the tenor
of this anime reminds me of a quirky, over-the-top teen drama (which
I have no qualms with because I actually like visual codeine).
Sunako is a
challenge to say the least. She keeps her forehead covered with long
bangs to cover what she considers an ugly face. The stays shut in
her room mostly, until the boys barge in. Turns out though Sunako
has an aversion to Kyohei’s (the prettiest and blondest) beauty. She
pukes in his face when she becomes upset at how amazingly gorgeous
he is. However, the boys are up to the challenge in order to get
free rent. Besides these challenges, there are outside forces that
put pressure on things throughout the episodes, so the storyline has
some adventure to it.
I must honestly
admit that this is the first anime I’ve actually sat through, so I
cannot offer any insight via comparison to other anime. That leaves
me to consider this series outside of its context and as it stands
on its own.
As it stands by
itself, The Wallflower is
nicely drawn. Interestingly, the characters manifestations are often
changed as per their emotion. Notably, the blonde guy looks young
adult and pretty at times. Then he morphs into a cherubic boyish
figure at times. Then there are times when all the guys appear as
white, demonic ghostly figures. I’m not sure if other anime
characters have varying appearances, but the exaggeration adds value
to the visual drama of animation.
The bishonen
characters remain quite flat, plastic pretty boys for the most part.
Kyohei, though self involved as any pretty boy should be, has caring
moments for Sunako. He actually tries to work on her self-esteem and
her ability to believe in her own beauty. Sunako’s character though
remains the most complex. At one moment she’s the mysterious girl
with blemishes and facial problems. She’s timid and shy. But, when
Kyohei is kidnapped, she is able to go the rescue dressed in a
beautiful kimono and in full makeup to look. She proves herself to
be a beautiful woman.
Besides the
pretty boys, the anime itself is pretty throughout. For example, the
opener is as elegant as it is charged with fun feeling. There is a
scene of the four boys nude beneath luminous moon beams. Grabbing
and spectacular to behold as the nude scene is, the opener has a
comedic side too. The prettiest boy of them all sits spread eagle
with only a milk carton covering his janglies. Also of note, the
opening theme “Slow” by Kiyoharu sets the tone with its rockabilly
mode.
The campy
quality of this anime makes it worth watching if you like
overwrought and exaggeration. The levity too makes it funny. Plus,
if you like nicely drawn pretty boys, then you shouldn’t be
disappointed.
7/10
The Video
The video
quality is solid throughout. The colors are vibrant and the picture
is sharp.
7/10
The Audio
The audio is
good. There are no major balance issues and I could hear the
dialogue clearly.
7/10
The Packaging
and Bonus Features
The
There are no
bonus features to speak of other than you can watch the opener of
the 13 part series as it aired on TV.
7/10
The Review
The Movie 7/10
The Video 7/10
The Audio 7/10
The Packaging
and Bonus Features 7/10
Overall (Not an
Average) 7/10
-Chuck Knight
In Books: Tales From
The Farm:
The Nashville Film Festival The Real Beverly Hillbillies
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