

Directed By:
Takashi Miike
Screenplay By:
Shigenori Takechi
Starring: Goro
Kishitani, Narimi Arimori, Ryousuke Miki, Shingo Yamashiro, Tetsuro
Tamba
Takashi Miike has remade Graveyard of Honor, the classic filmed in
1975 by Kinji Fukasaka (best known for Battle Royale) based on the
novel by Goro Fujita which was, in turn, based on the real mayhem
and infamy of Yakuza member Rikuo Ishimatsu. This film is a flood of
nonstop violence, showing how much destruction one man can do to a
city and to himself.
The Movie
Goro Kishitani (One Missed Call, Returner) plays what is probably
the baddest villain Miike has ever brought to the screen. I’m not
referring to ‘bad’ in the slang sense, where ‘bad’ means ‘good’ and
‘hot’ means ‘attractive; and ‘cool’ can be used in many ways. Rikou
Ishimatsu is bad. Violent. Sadistic. Almost invulnerable. In the
first brief minutes of the film, we see how he rises from a
dishwasher who saves the life of the local Godfather to one of the
top Oyabun (bosses) in the Yakuza. After the public, blood-soaked
knifing of a rival, he is sent to prison for five years. Once out of
prison, a couple of misunderstandings lead to the death of his
mentor and his friend by his own hand. He goes into hiding, then
seeks revenge when his wife, who he first met by raping her, is
beaten by the men looking for him. He comes out of hiding and
delivers far more carnage with a lead pipe than most John Woo heroes
flying through the air with two guns blazing. Don’t make the mistake
that he’s being noble, however. Those he thinks have wronged him
personally get the full force of his fury, whether they have done
anything to him or not.
It would be too easy and too predictable to make Ishimatsu likeable
in some way, like some sort of killer with a heart of gold. Miike
doesn’t take the easy out, making this an action film that doesn’t
stop for us long enough to think about how unlikable the protagonist
really is. Ishimatsu never removes the hard mask of the loner, the
survivor, the indestructible force of the underground until a
climactic moment near the end. Here, perfectly acted by Kishitani
where no words are necessary, we see Ishimatsu let his guard down at
the moment he realizes he’s lost the most important thing in the
world to him
Although I wouldn’t recommend this film over Ichi the Killer to
someone who hasn’t seen that one yet, it was a powerful force of a
movie that I think will revitalize the Yakuza movie genre. This is a
must-see for Miike purists and action film buffs. The warning on the
DVD case mentions the standard fare (Nudity, Language, and Violence)
but the warning of RAMPANT NIHILISM sums up everything here; one
definition I found online describes NIHILISM as “total and absolute destructiveness, esp. toward the world at large and
including oneself”
The film is enjoyable, but not perfect. We watch the characters wade
through blood for most of the film and the only likeable character
is a gangster of a rival clan who befriends Ishimatsu but cannot
save him and, eventually, this good deed does not go unpunished.
Where the film succeeds by not romanticizing the Yakuza as other
movies do, it then presents us with a clan who seem to have a
twisted and therefore unadmirable code of honor. In similar films of
the genre, the viewer can secretly fantasize about being a member of
the Yakuza or Triad or Sicilian Mafia or Russian Mafiya or whatever.
Here, all you really want to do is stay out of their way. These are
not the Sopranos you are looking for.
8/10
The Video
The video is in excellent quality. Colors are vivid, hard lines are
never jagged, even darkened scenes are very clear. Miike has a great
use of lighting throughout the film and the bloody knife fight in
the snow was exceptionally vivid.
8/10
The Audio
The sound may have been slightly louder than other movies I’ve
played on my system, but it was consistant. Great music soundtrack.
The package mentions Dolby but I don’t see which mix version was
included.
8/10
The Packaging and
Bonus Features
This is an attractive 2-disk set in a standard amaray case with a
center swinging page for the extra disk. The pictures and artwork
may give away a little about the ending, but the story actually
starts at the end and then tells about how he got there so nothing
is realty spoiled. The back cover is informative, telling a little
about the film without giving too much away and listing many other
films that some of the actors have been in. The front is a simple
shot of our lead character (as I don’t think anti-villain is the
appropriate term here, and hero is out of the question) is pointing
a gun at someone, a common stance for him. However, the cover also
contains the words TAKASHI MIIKE in big white letters, and for some
of us, that’s all you have to say.
Extras include a ‘Making Of’ featurette and teaser, some footage
from the premier of the film, theatrical trailers and image gallery
and other promotional notes. The ‘Making Of’ featurette was
interesting because we see the same shot from how it looked to be
shot as well as what the finished product looked like. Also, we have
a choice of two sets of colors for subtitles so we may choose which
is easier for us to read, a feature I wish all DVDs had.
8/10
Miike is an amazing director and is able to make many different
styles of films. I would be easy to convince someone that The Great
Yokai War, Audition and Graveyard of Honor were made by three
different yet extremely talented directors.
I am always surprised and
never disappointed by his cinematic offerings. GRAVEYARD OF HONOR is
a study in human nature as we watch a man who embraces the darkness
and believes in his indestructibility until, like an eager young boy
swimming too far into the ocean, he realizes too late that the
darkness has been waiting there to swallow him. This is not your
typical Joseph Campbell/Heroe’s Quest. This is about a man whose
only path is straight down, and that might not be a film you would
enjoy. I admit that I had to think about this for a day before
realizing there was some much in it to appreciate. If you can let a
film like this soak in, or of you want to see how many bullets can
be used in a single film look no further.
The Review
The Movie 8/10
The Video 8/10
The Audio 8/10
The Packaging
and Bonus Features 8/10
Overall (Not an
Average) 8/10
-Fred Grimm
In Books: Tales From
The Farm:
The Nashville Film Festival The Real Beverly Hillbillies
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